I trust other people playing the game way more than the people who make the game, sell the game, or get paid to review the game.
If everyone I know with similar tastes to mine says something sucks, there’s a 99.9999999% chance I will independently think it sucks anyway; so I might as well listen to others who have played it and save myself some time and money.
My favourite is when you have a friend, or known reviewer, going on about how something sucks, and you realise that it sounds right up your alley.
I specifically rented The One, because of Roger Ebert’s 1 and 1/2 star review in the newspaper, trashing Jet Li’s The One (just to totally date myself).
That’s why I went and saw Dude, Where’s My Car in the theatre. Because Siskel and Ebert had given it their worst score ever and I thought if those chucklenuts hated it, it must be good.
I’ve actually been surprised but how many gems I’ve found in games with a 70% rating or a 82% rating. Sometimes ratings can be impacted by feelings about a company or a media incident when the actual game is rock solid.
I wouldn’t say those numbers are for games that suck, anyway. That’s a decent, just not mind-blowing game. Anything that’s 40% or lower is what I would say almost universally sucks. But I would also take into account review bombing for things beyond the scope of the game itself, as it is very often reported on when it happens.
I trust other people playing the game way more than the people who make the game, sell the game, or get paid to review the game.
If everyone I know with similar tastes to mine says something sucks, there’s a 99.9999999% chance I will independently think it sucks anyway; so I might as well listen to others who have played it and save myself some time and money.
My favourite is when you have a friend, or known reviewer, going on about how something sucks, and you realise that it sounds right up your alley.
I specifically rented The One, because of Roger Ebert’s 1 and 1/2 star review in the newspaper, trashing Jet Li’s The One (just to totally date myself).
That’s why I went and saw Dude, Where’s My Car in the theatre. Because Siskel and Ebert had given it their worst score ever and I thought if those chucklenuts hated it, it must be good.
I’ve actually been surprised but how many gems I’ve found in games with a 70% rating or a 82% rating. Sometimes ratings can be impacted by feelings about a company or a media incident when the actual game is rock solid.
I wouldn’t say those numbers are for games that suck, anyway. That’s a decent, just not mind-blowing game. Anything that’s 40% or lower is what I would say almost universally sucks. But I would also take into account review bombing for things beyond the scope of the game itself, as it is very often reported on when it happens.